Beloved Australian indie-rock band The Temper Trap have delighted fans by unveiling an acoustic rendition of their iconic hit Sweet Disposition. A song that helped define an era of alternative music, Sweet Disposition first introduced the Melbourne-based four-piece to the world back in 2008, quickly becoming a generational anthem. Now, over 15 years and a billion streams later, the band has reimagined the track in a stripped-back, intimate acoustic version that showcases its raw emotional power.
A Timeless Classic, Reborn
The new acoustic version of Sweet Disposition was recorded at The Aviary Recording Studio in Melbourne late last year, produced by The Temper Trap alongside Joel Quartermain and Edwin White, and mixed by the band’s own Toby Dundas. While the original version is known for its soaring guitar riffs and anthemic build, this acoustic take offers a fresh perspective—delicate yet deeply moving, highlighting Dougy Mandagi’s ethereal vocals and the song’s poignant lyricism.
Since its debut, Sweet Disposition has taken on a life of its own, becoming one of Australia’s most celebrated indie-rock songs. It reached #14 on the ARIA Singles Chart and cracked the Top 10 in the UK, Ireland, and Belgium. The track has been featured in countless films, TV shows, and ad campaigns, most famously in 500 Days of Summer, cementing its place in pop culture history. Over the years, it has been remixed by artists such as John Summit, Undercatt, and VXSION, proving its enduring appeal across genres.
Conditions Celebrates 15 Years
The release of the acoustic Sweet Disposition comes on the heels of another major milestone for the band—the 15th anniversary of their debut album, Conditions. Originally released in 2009, Conditions was a multi-platinum success, featuring fan-favourites like Love Lost, Science of Fear, and Fader. In celebration of the album’s legacy, a limited-edition reissue was recently announced, available on dual-colour, black-in-red vinyl with a reimagined cover and artwork.
This anniversary pressing has been a must-have for long-time fans, with final copies available for pre-order via Mushroom Music. The re-release not only highlights how far The Temper Trap has come but also underscores the staying power of their debut album—an album that continues to influence and inspire a new generation of music lovers.
Over the years, The Temper Trap have cemented themselves as one of Australia’s most revered modern alt-rock bands. Their self-titled second album, The Temper Trap, debuted at #1 on the ARIA charts and delivered hit singles like Trembling Hands and Need Your Love. The album also achieved international success, reaching the Top 20 in the UK and Top 40 in Ireland, Scotland, and New Zealand.
The band—comprising Dougy Mandagi, Toby Dundas, Jonathan Aherne, and Joseph Greer—has amassed a collection of awards, including:
- APRA Award for Most Popular Song
- ARIA Awards for Best Group (twice!), Most Popular Australian Single, and Best Rock Album
Beyond their chart-topping records, The Temper Trap have played some of the world’s biggest music festivals, from Glastonbury, Reading & Leeds, and Lollapalooza to Splendour in the Grass and Big Day Out. Their music has resonated across borders, solidifying them as a staple in the alternative rock and indie music scenes.
What’s Next for The Temper Trap?
The band made a triumphant return to live performances in 2024, treating audiences to a handful of special shows. With the release of the acoustic Sweet Disposition and the anniversary edition of Conditions, excitement is at an all-time high among fans.
Even more thrilling? New music is on the way. While details remain under wraps, The Temper Trap have confirmed that they’re currently working on fresh material. Could a new album be on the horizon? Only time will tell, but if their past work is anything to go by, fans can expect something worth the wait.
For now, listeners can savour the haunting beauty of Sweet Disposition (Acoustic)—a stripped-back yet equally powerful reimagining of one of modern indie-rock’s most beloved songs.
